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Paint Mixing ?

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Jack G - 21 Oct 2007 20:44 GMT
It seems to me that paint mixing / color matching a lost part of model
building.

Before all of the pre mixed colors available to today's modelers, mixing
colors was part of the model builders skills.  Now it seems that everybody
wants a premixed color that matches their  personal perception of what a
color should be.  Aviation artist Keith Ferris uses only a very basic
palette but is able to produce all of the colors required in his art.

How may here still mix their own?
Pat Flannery - 21 Oct 2007 20:51 GMT
> How may here still mix their own?
>  

Me. It's tricky to keep track of them though without labeling the
bottles as to what specifically is in them.
Which is why I have a bottle of "Vostok Green" lying around.

Pat
Rufus - 21 Oct 2007 22:43 GMT
> It seems to me that paint mixing / color matching a lost part of model
> building.
[quoted text clipped - 6 lines]
>
> How may here still mix their own?

Not very often - mostly just lighter/darker for washes.

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     - Rufus

Disco58 - 22 Oct 2007 02:51 GMT
Depending on the model I'm working on, yes I do mix my own from time to
time, mostly flesh tones and colors for figures that no one can dispute.
I'll also mix my own for washes.  BUT...I don't have the experience that
some do, so I get caught up in that ideal that it has to be the "right"
color or someone will pitch a bitch, so when I'm building aircraft or
armor I go with the premixed on the presumption the people in the know
will have one less point to ding me on.  One of these days I hope I'll
actually sit down and build something for fun like it was when I was a kid
and didn't worry about the SBS.  How do you build a model (or anything else
for that matter)and truly not give a tinker's damn what others will think
and how they'll judge you?  If I could get around that, maybe I could
actually finish something, and that applies to a whole lot more than just
modeling.
Evgeny Gudkov - 23 Oct 2007 10:49 GMT
I was just wondering, how do you exactly mix the flesh tones?

> Depending on the model I'm working on, yes I do mix my own from time to
> time, mostly flesh tones and colors for figures that no one can dispute.
[quoted text clipped - 10 lines]
> actually finish something, and that applies to a whole lot more than just
> modeling.
willshak - 23 Oct 2007 16:13 GMT
on 10/23/2007 5:49 AM Evgeny Gudkov said the following:
> I was just wondering, how do you exactly mix the flesh tones?
>  

To make mixing little easier, Testor's Model Master Acryl has a number
of flesh tone colors. I have 4 of them, but haven't used them yet.
Skin Base (4601), a very pale tan color: Skin Dark (4602), a little
darker than Olive Drab; Skin Warm (4603), a dark pink; Skin Shadow
(4604), pretty close to Dark Tan..

>  
>> Depending on the model I'm working on, yes I do mix my own from time to
[quoted text clipped - 15 lines]
>
>  

Signature

Bill
In Hamptonburgh, NY
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Evgeny Gudkov - 24 Oct 2007 08:10 GMT
Thanks a lot, I'l try to purchase these acrylic paints.
Now I have actually two colors. Tamiya flesh and Zvezda flesh.

> To make mixing little easier, Testor's Model Master Acryl has a number of
> flesh tone colors. I have 4 of them, but haven't used them yet.
> Skin Base (4601), a very pale tan color: Skin Dark (4602), a little darker
> than Olive Drab; Skin Warm (4603), a dark pink; Skin Shadow (4604), pretty
> close to Dark Tan..
Mad-Modeller - 22 Oct 2007 04:00 GMT
I think the last big project that involved that was my rendition of the
bridge of the Enterprise.  I used a colour shot and matched my blues and
oranges/reds to that.
The 'new' TOS programs have greyed things down considerably.  Even the
Enterprise looks dull compared to the original shows.

Bill Banaszak, MFE Sr.
Stephen Tontoni - 23 Oct 2007 06:12 GMT
> It seems to me that paint mixing / color matching a lost part of model
> building.

Well on the one hand, we have zillions of colors available for that
exact color match. On the other, though, we have a different perspective
as a modeling community on color accuracy.

Whereas the color police were out in force in the 90's and before, it's
now a lot looser. We have real authorities, in the world of aviation
modeling anyway, who are now showing that anything that's close enough
to the right color is fine to use. The slap-dash way that colors were
applied in the field, how they responded to weathering, what kind of
light the photos were taken in, etc etc etc all contribute to a much
more casual view of color accuracy. In addition to that, we have many
layers now on top of the paint that could shift the color that we may
not have had before: clear gloss, clear flat, weathering of panel
lines/rivets, overall weathering. My models are never the exact hue and
value at the end of the build as when I first applied the camouflage
(etc).

This is my long-winded way of saying that color mixing, except in some
certain cases, has gone with the color police.

Someone mentioned dry brushing with a lightened version of the base
color; that's about the only time that I bother with color mixing any
longer. The obvious exception is using oils to paint figures; there's no
other way to do it but to mix the paints.

----- Stephen
Don Stauffer in Minnesota - 23 Oct 2007 15:28 GMT
> This is my long-winded way of saying that color mixing, except in some
> certain cases, has gone with the color police.
>
> ----- Stephen

I am glad to see them go. I believe their ideas were false.  Paint
chips and the like only show the paint as it was freshly applied.
Except for the most modern epoxy based paints, all period paints
weathered as soon as they were pushed out into the sunlight and
outdoor air.  Different environments in different theatres of
operation did different things to the paint.  A year after they left
the factory two planes painted the same day but one, say, sent to
Europe would look different than one sent to the South or Central
Pacific.
Peter Vinet - 26 Oct 2007 18:13 GMT
On the subject of paint and mixing, I was wondering if someone could give me
advice on finding or creating a reasonable match for the gold paint on the
corgi James Bond Aston Martin DB5. I picked up one in rather bad shape and
would like to try my hand at restoring it for my son.
Many thanks for any help.
Regards
Peter

>> This is my long-winded way of saying that color mixing, except in some
>> certain cases, has gone with the color police.
[quoted text clipped - 10 lines]
> Europe would look different than one sent to the South or Central
> Pacific.

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